This first entry was written mid-packet
but moved to the top of the page hierarchy because it felt so important.

10.09.23

Imago Dei-sign

(I’ve found a name for the thing that I am doing, and hope to teach.)

Imago Dei-sign is the practice of personal storytelling and witnessing, through the visual language and processes of Graphic Design. Saul Bass said “Design is thinking made visible,” Imago Dei-sign says “Design is people made visible.”

“Imago Dei” is a theological term, which denotes the reflective relationship between God (you are invited to use any word that is in alignment with your own beliefs here) and humanity. Imago Dei is also a turn-of-phrase used to describe a moment of deep personal connection in which you see God’s essence in another being. In relational therapy “Imago therapy” is a practice that facilitates intentional speaking and listening as a means to increase empathy between two parties. This increased empathy and perspective allows the two parties to resolve their differences collectively and with greater equity. Imago therapy teaches us to see and be seen.

In Imago Dei-sign, practitioners are welcome to be their whole selves, to be complete and present within the design space, and to tell their own stories without the fear of judgment, or stigmatization. Stories are made, shared, and most of all heard/seen. The Imago Dei-sign space does not require practitioners to code-switch or compartmentalize their identity and experiences in order to participate or be a part of the community.

The goal of Imago Dei-sign is to increase empathy and cultural competency within our own practice, as well as within the communal working and learning spaces we occupy and create.

The Imago Dei-sign process values:

  • Working the Sublime, Intuitive making

  • Post-rationalization

  • Investigative play

  • Vulnerability, honesty, curiosity, humor, heartbreak

  • Grace for the self and other as instrumental to the success of seeing and being seen

  • The third way (where “third” represents any number of possibilities)

The Imago Dei-sign learning environment includes:

  • Community care agreements, and stated intent to “do no harm”

  • Decentering ideas of what is typical, normal, or average

  • Radical acceptance in the listening phase

  • Dialectical consideration in the understanding phase

  • Speak gently, lovingly, and honestly in the reflection phase

9.23.23

Trigger Warning Statement

(to be included ahead of writing that could cause or increase symptoms of nervous system dysregulation.)

The following content contains stories about, and references to, experiences of trauma, which may trigger the nervous system in a way that the reader would rather not experience. Please feel free to skip, take breaks, or self-soothe as needed. Prioritize your sense of mental health and safety first.

Specific topics include:
Generational Trauma, Infidelity, Partner Abuse, Child Abuse, Emotional Abuse

———————————

9.23.23
(Original writing from 2020)

Smile.

When I look at my childhood photos, I see my mother’s mouth smiling.
But her eyes say:

“This is not for me.”

This is not my smile.
This smile is for you.

This smile is me desperately trying to convince you that the world is a safe place,
and someday this will be a happy memory for you to build a life on.

This smile is a trapdoor that I made for you, hoping you might escape.
This smile is an underground railroad.

This smile is me trying to hide what I know about the world from you.

This smile is me trying to protect you,
from seeing what the world does to the women who bring it life.

At first, this smile was forced upon me.

They said
“YOU LOOK PRETTIER WHEN YOU SMILE.”

What they meant was
"I have to look at you, and I can't stand to look at what I have done to you, so smile for me."

TELL ME A JOKE.
TELL ME A STORY.
MAKE ME LAUGH.

So I smiled.

I was ever-yielding to their comfort,
and their power,
and their ignorance,
and their convenience,
and their reputations.

I smiled to hide the shame and fear I never earned.
They believed I smiled for them,
I smiled to protect myself from them.

Then there was you,
and I smiled for you—little girl.

I wore this smile
and I hoped you would wear it

better.

But I forgot about my eyes.

Always pricked in the center with worry.
The painful mysteries they held.
Your curious mind, always scanning for danger.
Brow lines pointed in the inspection of

every
little
thing.

I should have closed my eyes,
the same way I closed my bedroom door when I just needed to cry for a good hour or two
days

or

three
months.

I could have said, “Shit, I always blink in photographs.”

9.28.23

LOUD.

(edited writing from 2020)

The morning he walked into the bathroom with his phone, turned on the shower, and locked the door behind him—my heart started pumping. LOUD.

He never locks the door, he never takes his phone to the bathroom.

I knock, and tell him I need to come in and get a tampon ( I am not on my period). I hear him fumbling around, I hear the door lock click. I give him a moment to get back into the shower, and I enter the bathroom to start looking for the tampon I don’t need. My eyes scan the counter, the top of the toilet, the toiletry shelf—not there. Stalling, I open drawers and shuffle around—and there! I spot my husband’s phone on the windowsill, tucked behind the curtain. I flush the toilet, grab the phone, and step out of the bathroom.

I’m halfway down the hallway, when I manage to get my sweaty, shaky hands to dial in his screen-lock code. My heart is banging in my ears like a wild drum. I enter the kitchen, and arrive at the “DMs.”

THIS WHOLE SCENE IS SO FUCKING CLICHE, I WANT TO FUCKING BARF.

“Hey, pretty girl…”

“I just put on my new jammies”

“Thinking of you.”

“Looking forward to next time…”

“Sleep well baby girl…”


I can feel my soul leaving my body as my fingers scroll.

There she is. My replacement. He met through work. She’s been trying to transition into a design career and asked him for advice, which he then asked me for, and relayed back to her. She’s twelve years younger than me, a white girl, with blonde hair, and blue eyes. She’s a graphic design student—like I was when we met. She likes music and art—like me. Apparently, she likes to have sex with my husband (like I used to, before he started treating me like a vending machine).

I imagine dropping into this DM and telling her that he is all hers. “Have fun with that dick boo.”

I can feel myself breaking, air rushing out, quickly replaced with surprisingly lucid white-hot rage. I make an immediate U-turn and head back toward the bathroom. I have. No. Plan.

“I FUCKING KNEW IT!”
(a month ago)

I was standing alone in the middle of our home studio space and suddenly felt like God spoke straight into my soul.
”Go in the house, and tell him that you know Chelsea and her boyfriend broke up, and that you know it wasn’t a business trip, and you know what happened in Santa Rosa.”

I am a good rule follower.

Standing in front of him, in the living room, I’ve just said all those things his, and his face falls wide open. I see the wheels frantically turning, his eyes dashing back and forth.

“You’re running around in your head boo. You haven’t been the same since Maxwell’s seizures started. You know I would never do that, I saw what that did to my mom. Come on boo, lay down with me.”

I am a good rule follower. I go lay down on the couch and he strokes my head, and I feel crazy.

I storm into the bathroom, tear back the curtain, and shove the phone in his face.

“I FUCKING KNEW IT!” LOUD.
“WHAT THE FUCK?!” (him) LOUDER.

He jumps out of the shower butt-ass naked and charges at me. I slam into the wall, hard, and he yanks at my shirt, pulling me toward him. My shirt rips. He grabs the phone.

“Don’t touch me!” I yell.

“Don’t Touch Me!” my three-year-old son picks THIS moment to parrot my voice. Alerting me to the fact that he has just witnessed all of this. A shiny new core memory. A pile of therapy bills, and God knows what else.

“What ARE YOU DOING?” my voice comes out angry and begging. “I am here, I have been here, fighting! And now you’re dropping the same wounds that broke you, onto your own family.”

(I am well-practiced at presenting a strong argument while yelling. Thanks, Dad.)

The bathroom door slams closed.

I have arrived at this moment knowing it was coming, I was given fair warning from GOD, and I have a first-hand understanding of generational trauma —AND— all of that knowledge does not soften the blow one bit.

—This is where I died. —

The Psalm of Beyonce

“So what are you gonna say at my funeral,
now that you've killed me?
Here lies the body of the love of my life,
whose heart I broke without a gun to my head.
Here lies the mother of my children, both living and dead.
Rest in peace, my true love, who I took for granted.
Most bomb pussy who, because of me, sleep evaded.
Her God listening.
Her heaven will be a love without betrayal.
Ashes to ashes, dust to side chicks.”

9.28.23

She talks too much.

Every report card, and every teacher’s note sent home to my mother told a similar story about me. They all read something like this: “Shannon is a pleasure to have in the classroom, but she talks too much.”

My talking out of turn was viewed as a careless lack of self-control and defiance. Turns out it was ADD. When I was given an informal diagnosis at 40 years old, I was not surprised, I had suspected as much for a long time. I was surprised at how ADD manifests in young girls though, and why it manifests so differently. “Excessive talking.” was listed as a symptom, and its root was listed as “anxiety.” This symptom is more common in girls because our culture imposes so much control over the female body—wiggling and fidgeting as options are quickly taught out of us— while the boys are free to “be boys.”

For all of my lifelong talking, I find the fact that I am having to work so hard to figure out how to tell my own story “funny,” hilarious, and tragically funny. I have spent the last four years struggling to find my voice. After a complete life implosion, I had to learn how to speak differently, I had to put the voice that runs on anxiety in check. I’ve learned to speak from a place of agency and embodiment. I’ve also found a voice that practices better listening. It has taken so much practice, and it is not always perfect.

I’ve practiced telling my story with three different therapists, in multiple journals, and in the safe spaces between two people. But I feel moved to tell this story in a more public way because staying silent feels oppressive. The Chingona, the loud opinionated girl who can never shut the fuck up, has been silenced. It feels like enabling abuse. It feels like a loss of identity. It doesn’t feel right in my body. I feel like the woman I have been for so much of my adult life, needs this iteration of myself to transform the anxiety-fueled motorboat, into a vessel that carries people off of the islands of loneliness that are created when there is so much stigma around our trauma.

I made it off the island, and I want to send the boat back.

10.01.23

Telling True From False.

(text I re-discovered from research for my undergrad thesis)

Epistemology is a fancy word that refers to the different methods you use to determine whether something is true or false. Your epistemology, then, is your own personal theory or idea about the nature of acceptable evidence; what are the conditions under which you know when something is true and when something is false? You can evaluate the quality of your cultural and personal knowledge concerning your problems by becoming more conscious and aware of your “epistemology.”

Though everyone has an epistemology, at least implicitly, most people have never thought much about it, and aren’t aware that it is important. For instance, many people have opinions about what is true and what is false, but they may be only vaguely aware of how they came to know that those things are true or false. They are content to continue believing what they currently believe so long as things they believe to be true continue to feel true. They are not typically concerned about testing their beliefs to see if they make sense. They’re not often concerned that there is good evidence available to support their beliefs. The big problem with being unconscious and unaware of your epistemology is that sometimes you can end up hurting yourself or making bad decisions when you think that things are one way, and they end up being another way.

5.23.08 4:20 AM
(from my personal journal)

There were times when I was driving around LA, or hanging out with friends that I would think about Jay. I would catch myself wondering what he was up to. I missed his stories and his jokes. Every time we hung out, I would find myself bursting out into random laughter over something he had said or done so many days earlier. I also thought about this one little moment at La Cabana, weeks earlier, when I had caught him looking at some chulitas. There was a look in his eye that made my chest ache. I wondered what it would be like to be on the other end of that look. My rational mind quickly reminded me that school was for learning, not dating. So I enjoyed the memories and resisted picking up the phone.

I laid back on my bed in the half-lit room and saw the clock; it was twenty minutes after four—in the morning. I never really thought about four-twenty AM—that’s some hardcore stoner time. I heard my phone make the text message beep. Anytime my phone goes off in the wee hours it’s usually some drunk ass who has worked up enough liquid courage to think he has a chance, what they usually get is an eye-roll. This time, I picked up my phone to find out who was sending another sorrowful example of a drunken “game.” It read something like this: “I’ve been drinking all night in Chinatown with my cousin, and I can’t stop thinking about you. Sent by Jay D. 4:20 AM” I sat there grinning ear to ear and didn’t hesitate to respond. We sent texts back and forth as the sun rose, and I agreed to go ahead and go on a date with him because I felt like his intentions were true. I knew that he was kind-hearted and sincere. What I didn’t know was that I would fall absolutely ass over tea kettle in love.

All the things I did not know.

12.19.2019

“I’ve been unfaithful to you with three other women.” After six weeks of false reconciliation, trickle truth, and eleven years of relationship–Jay decides to come clean about the history of his infidelity entirely. The record goes back to the first six months of our dating.

I have two feelings. The first is devastation. I’ve basically just learned that my whole narrative about our great love story was historically incomplete and woefully inaccurate. The second feeling is relief. Knowing that his betrayal behavior started when I was 28 years old, completely available, and gorgeous (all 28-year-olds are gorgeous) means that my husband isn’t cheating on me because I got old, or because my body changed after pregnancy, or because I now have to divide myself into piles between marriage, motherhood, and career. This revelation is a release from the misogynistic reasoning that the dominant cultural narrative pushes onto women who experience the betrayal of infidelity. I did not do (or not do) anything to cause his infidelity. The choice was always his alone, and I never had any control or influence in the matter.

Psalm of The Cover Girls

Show me, Show me, you really love me
Actions speak louder than words
Show me, Show me, you really need me
Cause all those lies I've already heard
Show me, Show me, you really love me
Let me believe that it's true

10.02.23

Our Identity and Our Motivations

To talk about identity is to talk about the self and the concept of the self; the knowledge, beliefs memories, expectations, tendencies, and understandings each person has, that define them as unique individuals and also as members of families and other social groups. Identity defines people and deeply informs and gives meaning to every aspect of their lives. It informs what people think they deserve and provides the measure of their worth, both to themselves and frequently to others. It shapes what people think they are capable of accomplishing, and thus helps to shape what they end up choosing to do and not do.

Because your identity is at base, in large part a set of beliefs, it can be examined and altered using cognitive techniques such as cognitive restructuring as described above. Indeed, the use of cognitive restructuring techniques to challenge beliefs about the necessity of depression or anxiety in your life can lead to an alteration of your identity. As you use the cognitive technique to challenge and re-challenge your beliefs successfully, those beliefs start to change. As your beliefs change, so too does your identity.

Before you can have any hope of making changes to your identity with cognitive or other techniques, however, you must first decide that exploring your identity is a worthwhile thing to do. Some people resist identity exploration. They may (mistakenly) assume that they are already perfect; that their current perspective on things is the sole and only correct one to have and that any problems they might be experiencing are caused by other people (a mistake known as "externalization", described below). Alternatively, they may lack the necessary insight or intelligence required to realize that their experiences are filtered through the lens of their identity and perspective. Such people fundamentally don't get the idea of identity, naively assume that everyone else must see themselves and the world as they do, and never realize that it is important to pay attention to individual perspectives.

Source

Identity Statement (personal)

I used to think many things about myself (and my life) that I recently discovered are inaccurate or straight-up untrue. It’s fucked with my self-concept pretty intensely and caused a hefty amount of cognitive dissonance. I am working out what is worth resolving, and what is worth accepting as equally opposing truths. This is what I am sure of at this stage, and believe to be important;

Foremost I am a soul, living inside of a body, for a brief moment in time.

I am a woman. I was assigned the female gender at birth, and I experience the world from within a female body and a culturally constructed idea of gender/ gender roles. I am a feminist. I challenge those ideas. 23 and Me tells me that my earliest known genetic ancestor was a woman from East Africa who lived 150,000 years ago. I hope to meet them when I leave this body.

I was born in California, to a man from Mexico, and a woman from South Dakota. I am a hybrid creation, the result of two cultures, two civilizations that have overlapped and live on the same land through and with contrasting circumstances. I am the descendant of the Mexica and of European Immigrants. Soy Pochita. Estoy arrancado de raíz. I am Mexican American. Chicana. Big Nana calls us Mestiza. I experience the world through a culturally constructed ideas of race and ethnicity. I am anti-racist, I challenge those ideas.

I was baptized Catholic, and grew up in Catholic and Evangelical churches. I experience the world through culturally constructed ideas of religion. I challenge those ideas. Religion always felt like an itchy sweater, and I always suspected something was off. I currently identify as a follower of Christ, and not of Christians. I don’t believe Christ like behavior includes hate, or imbues me with the power to validate other people’s lived experiences through “tolerance” or “approval.” Worthiness is an inherent gift from our creator.

I am a mother of two children here on earth and a third who stopped growing at 13 weeks gestation. I heard her heartbeat, and saw her tiny body. She was very much a human life, and now she lives in spirit. She shows up in photos of my daughter Sofia, as a rainbow. I experience motherhood as a transformational process, future building, and an act of resistance. With each year that I move further into motherhood, I am humbled by how much there is to learn, and how bittersweet and heartbreaking the whole process is.

In my most recent assessment, my attachment style is 51% Secure, 20% Anxious, 16% Avoidant, and 12% Disorganized. When I feel safe, I am easy to be around, I have a good sense of humor, and genuinely love and care about people. When I do not feel safe, the adaptations I developed as a child to protect myself show up as “people-pleasing” or sidelining my own needs. I’m working on new habits of choosing myself. When I feel very unsafe I self-isolate, which can look like ghosting. Good times!

I am a survivor. I have experienced betrayal, and abuse, more than once, and always at the hands of men who were trusted with my care. Having survived feels powerful, and sometimes the memories of the things I have survived feel like a leash that yanks me right back into the discomfort of survival mode.

I love music and art. I grew up on MTV before reality shows, I worked in a record store as a teenager, and I worked in the music industry for 7 years before getting my BFA in Graphic Design. Art-making has always been my favorite self-isolation activity. When the world is too much and the hamster-wheel of doom spins too fast, just give me some good jams and art supplies until I come back to myself.

I am a sister to five younger brothers, I am five sisters.

I am always trying to be a better human. Grace is important to me, I’ve needed much of it for and from myself, as well as for and from others. Grace is healing. It says “Wow, that decision was pretty bad, but you are human, and I’d rather not spend the rest of my life being angry or sad, so I won’t be making a covenant with this moment.” Grace always chooses to move forward with deeper understanding and better boundaries.

10.12.23

Positionality Statment (professional)

My name is Shannon Doronio Chavez.

Foremost I am a soul, living inside of a body, for a brief moment in time.

My pronouns are She/Her/Ella.

I am a woman, and was assigned female gender at birth. I experience the world from within a female body and a culturally constructed idea of gender/ gender roles. I am a mother of two children, ages nine and seven.

I was born in Southern California, to a man from Mexico, and a woman from South Dakota. I am the descendant of the Mexica people who are indigenous to this continent and of European Immigrants. I identify as Mexican American, and Chicana interchangeably. Both sides of my family have rich cultural histories, practices and foodways. Similarly, family members on both sides have attempted to impress ideas of racism and colorism onto my understanding of the world, and my experience within it.

I have ADD and HypoThyroidism. I get really tired sometimes and have experienced Fibromyalgia when I overdo it. I also have Aphantasia and Misophonia. I think humans are all more "divergent" than "typical."

I am an advocate for mental, physical and spiritual health, which is at the core of how I show up as an instructor, an ally, and within my personal relationships.

My professional work is a hybrid creative practice that thrives at the intersection of Graphic Design, Education, and Advocacy.

I have been self-supported financially since the age of 18. I received a BFA in Communication Arts at OTIS College of Art and Design in Los Angeles in 2010—just after turning 30—that degree will be paid off when I turn 48. I have a career that I love, which includes benefits and an income that allows me to meet the basic needs for myself and my family—I am constantly amazed by that last statement and thank God often.

10.18.23

Working the Sublime

A Dream Is An Image Your Brain Makes While You Are Sleeping. In this process, the goal is to start dreaming with your eyes open. Let your instinctual self be the creator, let your critical/analytical self take a break, and make space for the subliminal self to reveal a story without your conscious direction.

Carl Jung described dreams as "a spontaneous self-portrayal in symbolic form, of the actual situation in the unconscious." In Jungian analysis, these symbolic self-portrayals reveal new information and provide greater understanding. The symbols we choose, the marks we make, and the images we create when we work from the subconscious are a doorway to better knowing ourselves consciously.

Creating a Sublime Environment

Artists cannot harvest the completeness of thier creative potential, and cannot work in the sublime if they do not have access to their complete self — that access requires a deep sense of safety and security. The threat of marginalization, abandonment, or finding oneself on the “outside” of a community is a primary barrier. The adaptations humans make to protect themselves from this threat often involve filtering the way they express themselves, decreasing how much space they take up, and increasing how useful they can make themselves. In the words of Alok “Excellence is begging for your right to exist.”

What then, can a creative facilitator do to reduce the threat of marginalization or social abandonment in the creative spaces we create?